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Jam of the Day | Lydia Loveless – Boy Crazy

Photo by Paula Masters Travis Lydia Loveless is brash, crude, smart-mouthed, self-assured, confident, talented — everything I’d like to be, even though I think I have a decade on the cowpunk singer/songwriter to have gotten there. “Boy Crazy” is an anthem to everything that every woman thinks about her crushes, especially the inappropriate ones; it’s … Read more

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Jam of the Day | Ha Ha Tonka – Colorful Kids

i see me as i was, you as you were before the color began to bleed out of us What a track to kick off the new Ha Ha Tonka record. I mean, what a track. “Colorful Kids” sounds both like and unlike Missouri’s Ha Ha Tonka; it’s rife with Brett Anderson’s machine-gun mandolin lines, and … Read more

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Interview | Dex Romweber Duo, Chapel Hill, August 2014

All photos by Agatha Donkar Last spring, SiC ran an interview with Scott and Grant Hutchison of Frightened Rabbit, about their family, their musical history, and playing with a sibling. This is a second in that series, with Chapel hill’s Dex and Sara Romweber of Dex Romweber Duo. Speakers In Code: You said you have … Read more

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Jam of the Day | Cory Branan – The No-Hit Wonder

Photo by Nicole C Kibert so sing a song for the no-hit wonder though it isn’t one of his Cory Branan’s second LP for Bloodshot Records, The No-Hit Wonder, opens with a fuzz of guitars and the title track, a ballad for the musicians who never catch a break but keep at it anyway. It’s a … Read more

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Jam of the Day | Luke Winslow-King – Swing That Thing

Luke Winslow-King’s The Coming Tide was a gorgeous and overlooked gem of a record, his first for Bloodshot Records, last year; if the first two tracks from his follow-up Everlasting Arms, due out 9/30, are any indication of the rest of the album, it’s going to be another gorgeous gem, and hopefully not quite as overlooked. … Read more

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Jam of the Day | Firewater – A Little Revolution

Photo courtesy of Bloodshot Records What ex-Cop Shoot Cop frontman Tod A does with Firewater shouldn’t work; no one should be able to merge field recordings of traditional Middle Eastern, Asian, and African music with fierce punk guitars and have the song work, let alone an entire album work. But that is, in fact, what … Read more